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Roger Steffens
Roger Steffens (born June 17, 1942) is a Brooklyn, New York born actor, author, lecturer, editor, reggae archivist, photographer, producer. Roger is perhaps best known for his reggae archives, in particular his archives of Bob Marley.〔Campbell, Howard (2014) "(Roger Steffens: Over 30 years documenting Reggae and Marley )", ''Jamaica Observer'', 28 December 2014. Retrieved 28 December 2014〕 Six rooms of his home in Los Angeles house his archives, which include the world's largest collection of Bob Marley material. Based on these archives Roger lectures internationally with a multi-media presentation called ''The Life of Bob Marley''. Roger's radio career began in New York in 1961, and was co-host of the award-winning ''Reggae Beat'' on KCRW in Los Angeles and was syndicated on 130 stations worldwide in the 1980s.
==Photography==
Steffens served in Vietnam and spent a year in Morocco before visiting Jamaica for the first time in 1976.〔 He has a large collection of photographs covering his Vietnam service and Jamaican musicians, including many slides which were digitized and released via Instagram in 2013.〔 In 2014 his daughter Kate created a website to showcase 40 years of counterculture photos at >instagram.com/thefamilyacid<. It began to attract major attention from Time Magazine, Slate and The New Yorker, which asked Steffens to take over their site, calling it their most popular takeover ever. In early 2015 the BBC-tv did a report on Steffens' first collection of photographs, "The Family Acid" [S_U_N_) and the Sunday New York Times Style Section and the Sunday magazine of The Observer featured his photographs. His work has been exhibited this year at Paris Photo LA and Art Basel.
"The Family Acid presents his often transcendent vision and life as a psychedelic pioneer on the order of Timothy Leary and Hunter S. Thompson beginning with his work in Vietnam and moving through his ever revolving circle of friends and characters made up of Rastas, beatniks, musicians, artists, gonzo journalists, his family, and himself. The portraits, scenes, and freewheeling experimentation with the medium of photography coalesce into a body of work that both parallels and defines the countercultural ethos of Steffens’ generation."
http://www.theblogazine.com/2015/02/roger-steffens-countercultural-compendium/
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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